The prismatic panes of Delaunay's 1912 painting
Simultaneous Windows on the City
are metaphors for the transition from internal to
external states.
This composition consists of a tone row of three
four-note phrases
arranged in a call-and-response format.
The harmonic structure is improvised by the bass.
music composed and arranged by Bill Noertker
and performed
by Noertker's
Moxie
Annelise Zamula - flute
Amber Lamprecht - oboe
Bill Noertker -
contrabass